Os melhores discos de Britpop
Analisamos 150 discos de 23 artistas de Britpop usando avaliações do Discogs. Aplicamos uma média bayesiana ponderada para separar os melhores: álbuns com mais avaliações têm mais peso, mas discos menores também aparecem quando a qualidade justifica. Os 20 melhores estão em destaque abaixo; os demais 106 seguem na tabela.
Top 20
Definitely Maybe
Oasis
1994
4.60 · 6.578 aval.
(What’s the Story) Morning Glory?
Oasis
1995
4.53 · 9.074 aval.
Different Class
Pulp
1995
4.52 · 3.072 aval.
More.
Pulp
2025
4.55 · 871 aval.
As You Were
Liam Gallagher
2017
4.44 · 1.560 aval.
Why Me? Why Not.
Liam Gallagher
2019
4.45 · 1.096 aval.
His ’n’ Hers
Pulp
1994
4.43 · 1.169 aval.
This Is Hardcore
Pulp
1998
4.36 · 1.461 aval.
C′mon You Know
Liam Gallagher
2022
4.33 · 853 aval.
I Should Coco
Supergrass
1995
4.29 · 1.220 aval.
Giant Steps
The Boo Radleys
1993
4.33 · 559 aval.
Moseley Shoals
Ocean Colour Scene
1996
4.30 · 739 aval.
Olympian
Gene
1995
4.30 · 401 aval.
Liam Gallagher John Squire
Liam Gallagher
2024
4.26 · 576 aval.
In It for the Money
Supergrass
1997
4.22 · 997 aval.
Marchin’ Already
Ocean Colour Scene
1997
4.27 · 410 aval.
Dig Out Your Soul
Oasis
2008
4.19 · 1.760 aval.
Road to Rouen
Supergrass
2005
4.26 · 363 aval.
Be Here Now
Oasis
1997
4.18 · 3.437 aval.
Yeah Yeah Yeah
Cast
2026
4.60 · 70 aval.
Todos os 150 álbuns
| # | Álbum | Artista | Ano | Score | Nota | Aval. |
|---|---|---|---|---|---|---|
| 21 | Standing on the Shoulder of Giants | Oasis | 2000 | 4.17 | 4.18 | 2.051 |
| 22 | Everything’s Alright Forever | The Boo Radleys | 1992 | 4.15 | 4.22 | 363 |
| 23 | 10 Songs | Travis | 2020 | 4.15 | 4.32 | 141 |
| 24 | The Boy With No Name | Travis | 2007 | 4.15 | 4.21 | 364 |
| 25 | Separations | Pulp | 1992 | 4.15 | 4.21 | 343 |
| 26 | Don’t Believe the Truth | Oasis | 2005 | 4.15 | 4.16 | 1.484 |
| 27 | L.A. Times | Travis | 2024 | 4.14 | 4.33 | 117 |
| 28 | A Maximum High | Shed Seven | 1996 | 4.14 | 4.23 | 224 |
| 29 | Supergrass | Supergrass | 1999 | 4.13 | 4.16 | 672 |
| 30 | Power to Play | McFly | 2023 | 4.13 | 4.77 | 26 |
| 31 | Drawn to the Deep End | Gene | 1997 | 4.12 | 4.19 | 201 |
| 32 | Heathen Chemistry | Oasis | 2002 | 4.12 | 4.13 | 1.547 |
| 33 | Carousel | Subcircus | 1996 | 4.12 | 4.40 | 45 |
| 34 | The Man Who | Travis | 1999 | 4.12 | 4.13 | 1.242 |
| 35 | Motion in the Ocean | McFly | 2006 | 4.12 | 4.36 | 44 |
| 36 | Life on Other Planets | Supergrass | 2002 | 4.11 | 4.14 | 423 |
| 37 | Room on the 3rd Floor | McFly | 2004 | 4.11 | 4.28 | 50 |
| 38 | Wonderland | McFly | 2005 | 4.10 | 5.00 | 5 |
| 39 | Atlas | The Bluetones | 2026 | 4.10 | 5.00 | 5 |
| 40 | Love Is the Call | Cast | 2024 | 4.10 | 4.19 | 48 |
| 41 | Change Giver | Shed Seven | 1994 | 4.10 | 4.12 | 185 |
| 42 | Hand Cut | Bucks Fizz | 1983 | 4.10 | 4.13 | 120 |
| 43 | The Invisible Band | Travis | 2001 | 4.10 | 4.10 | 1.070 |
| 44 | Libertine | Gene | 2001 | 4.09 | 4.13 | 81 |
| 45 | In Spite Of Everything | The Boo Radleys | 2026 | 4.09 | 5.00 | 2 |
| 46 | El Mundo De Ilusion | Bucks Fizz | 2010 | 4.09 | 5.00 | 2 |
| 47 | Feel Easy | The Pansies | 1997 | 4.09 | 4.50 | 4 |
| 48 | Eight | The Boo Radleys | 2023 | 4.09 | 4.18 | 11 |
| 49 | The Pleasures of Self Destruction | Babybird | 2011 | 4.09 | 5.00 | 1 |
| 50 | I Miss Myself | Babybird | 2017 | 4.09 | 5.00 | 1 |
| 51 | People Do Stupid Things | Babybird | 2017 | 4.09 | 5.00 | 1 |
| 52 | You and Me Is Wrong | Babybird | 2018 | 4.09 | 5.00 | 1 |
| 53 | Selfies Inside the Coffin | Babybird | 2018 | 4.09 | 5.00 | 1 |
| 54 | Painting | Ocean Colour Scene | 2013 | 4.09 | 5.00 | 1 |
| 55 | Radio:ACTIVE | McFly | 2008 | 4.09 | 5.00 | 1 |
| 56 | Changed Giver | Shed Seven | 2024 | 4.09 | 4.50 | 2 |
| 57 | Young Dumb Thrills | McFly | 2020 | 4.09 | 4.14 | 14 |
| 58 | I Hear Talk | Bucks Fizz | 1984 | 4.09 | 4.25 | 4 |
| 59 | Ex-Maniac | Babybird | 2010 | 4.09 | 4.00 | 1 |
| 60 | Theme from RAINBOW UNICORN | Babybird | 2016 | 4.09 | 4.00 | 1 |
| 61 | Ugly Beautiful | Babybird | 2016 | 4.09 | 4.00 | 1 |
| 62 | The Wrong Words | Babybird | 2017 | 4.09 | 4.00 | 1 |
| 63 | King of Nothing Part One | Babybird | 2017 | 4.09 | 4.00 | 1 |
| 64 | King of Nothing Part Two (The Black Flower Double album) | Babybird | 2018 | 4.09 | 4.00 | 1 |
| 65 | The Ordinary Boys | The Ordinary Boys | 2015 | 4.09 | 4.00 | 1 |
| 66 | A Matter of Time | Shed Seven | 2024 | 4.09 | 4.00 | 2 |
| 67 | How to Get Everything You Ever Wanted in Ten Easy Steps | The Ordinary Boys | 2006 | 4.09 | 4.00 | 2 |
| 68 | North Atlantic Drift | Ocean Colour Scene | 2003 | 4.09 | 4.00 | 4 |
| 69 | What Are We Fighting For | Dodgy | 2016 | 4.08 | 4.00 | 12 |
| 70 | One From the Modern | Ocean Colour Scene | 1999 | 4.08 | 4.08 | 244 |
| 71 | Stand Upright in a Cool Place | Dodgy | 2012 | 4.08 | 3.00 | 1 |
| 72 | Above the Noise | McFly | 2010 | 4.08 | 3.00 | 1 |
| 73 | A New Athens | The Bluetones | 2010 | 4.08 | 3.00 | 1 |
| 74 | The Last Album | Babybird | 2015 | 4.08 | 3.67 | 3 |
| 75 | Déjà Voodoo | Heavy Stereo | 1996 | 4.08 | 4.06 | 61 |
| 76 | ¡Hay Tiempo! | Menswear | 1998 | 4.08 | 3.80 | 5 |
| 77 | Kicking Up the Dust | Cast | 2017 | 4.08 | 4.03 | 28 |
| 78 | Europa | Holly Johnson | 2014 | 4.08 | 4.06 | 78 |
| 79 | The Bluetones | The Bluetones | 2006 | 4.08 | 4.03 | 37 |
| 80 | Saturday | Ocean Colour Scene | 2010 | 4.08 | 3.00 | 2 |
| 81 | Take My Air | Babybird | 2016 | 4.08 | 3.33 | 3 |
| 82 | Keep on With Falling | The Boo Radleys | 2022 | 4.08 | 4.02 | 41 |
| 83 | Let It Ride | Shed Seven | 1998 | 4.08 | 2.50 | 2 |
| 84 | Writing on the Wall | Bucks Fizz | 1986 | 4.08 | 4.02 | 70 |
| 85 | Soulstream | Holly Johnson | 1999 | 4.08 | 3.94 | 32 |
| 86 | From A to B | Octopus | 1996 | 4.07 | 3.98 | 49 |
| 87 | The Dodgy Album | Dodgy | 1993 | 4.07 | 3.67 | 15 |
| 88 | Troubled Times | Cast | 2011 | 4.07 | 3.80 | 25 |
| 89 | Ichabod and I | The Boo Radleys | 1990 | 4.07 | 3.97 | 74 |
| 90 | A Hyperactive Workout for the Flying Squad | Ocean Colour Scene | 2005 | 4.07 | 3.93 | 57 |
| 91 | Freaks: Ten Stories About Power, Claustrophobia, Suffocation and Holding Hands | Pulp | 1987 | 4.07 | 4.03 | 222 |
| 92 | Where You Stand | Travis | 2013 | 4.07 | 4.02 | 182 |
| 93 | Science & Nature | The Bluetones | 2000 | 4.06 | 3.96 | 89 |
| 94 | All Change | Cast | 1995 | 4.06 | 4.04 | 435 |
| 95 | Over the Counter Culture | The Ordinary Boys | 2004 | 4.06 | 3.68 | 25 |
| 96 | Beetroot | Cast | 2001 | 4.06 | 3.83 | 42 |
| 97 | Expecting to Fly | The Bluetones | 1996 | 4.06 | 4.04 | 537 |
| 98 | Truth Be Told | Shed Seven | 2001 | 4.06 | 3.33 | 15 |
| 99 | Revelations | Gene | 1999 | 4.06 | 3.96 | 116 |
| 100 | Homegrown | Dodgy | 1994 | 4.05 | 3.99 | 199 |
| 101 | There's Something Going On | Babybird | 1998 | 4.05 | 3.95 | 132 |
| 102 | Real Estate | Dodgy | 2001 | 4.05 | 2.60 | 10 |
| 103 | Luxembourg | The Bluetones | 2003 | 4.05 | 3.75 | 49 |
| 104 | We Love Life | Pulp | 2001 | 4.04 | 4.01 | 559 |
| 105 | Ugly Beautiful | Babybird | 1996 | 4.04 | 3.97 | 266 |
| 106 | C’mon Kids | The Boo Radleys | 1996 | 4.04 | 3.96 | 233 |
| 107 | Kingsize | The Boo Radleys | 1998 | 4.03 | 3.89 | 136 |
| 108 | Everything at Once | Travis | 2016 | 4.03 | 3.91 | 170 |
| 109 | Bugged | Babybird | 2000 | 4.03 | 3.61 | 51 |
| 110 | Mechanical Wonder | Ocean Colour Scene | 2001 | 4.02 | 3.79 | 117 |
| 111 | It | Pulp | 1983 | 4.02 | 3.88 | 194 |
| 112 | Free Peace Sweet | Dodgy | 1996 | 4.02 | 3.90 | 228 |
| 113 | Wake Up! | The Boo Radleys | 1995 | 4.01 | 3.94 | 407 |
| 114 | Ode to J. Smith | Travis | 2008 | 4.01 | 3.79 | 136 |
| 115 | Magic Hour | Cast | 1999 | 4.01 | 3.70 | 97 |
| 116 | Diamond Hoo Ha | Supergrass | 2008 | 4.00 | 3.85 | 201 |
| 117 | Return to the Last Chance Saloon | The Bluetones | 1998 | 4.00 | 3.85 | 223 |
| 118 | Bucks Fizz | Bucks Fizz | 1981 | 4.00 | 3.78 | 159 |
| 119 | Good Feeling | Travis | 1997 | 3.99 | 3.90 | 380 |
| 120 | 12 Memories | Travis | 2003 | 3.99 | 3.92 | 484 |
| 121 | Ocean Colour Scene | Ocean Colour Scene | 1992 | 3.99 | 3.65 | 109 |
| 122 | Nuisance | Menswear | 1995 | 3.99 | 3.73 | 147 |
| 123 | Dreams That Money Can’t Buy | Holly Johnson | 1991 | 3.97 | 3.53 | 96 |
| 124 | Are You Ready | Bucks Fizz | 1982 | 3.97 | 3.73 | 187 |
| 125 | Mother Nature Calls | Cast | 1997 | 3.96 | 3.69 | 170 |
| 126 | Blast | Holly Johnson | 1989 | 3.92 | 3.82 | 604 |
Sobre Britpop
O britpop foi um fenômeno tão cultural quanto musical. No início dos anos 1990, enquanto o grunge americano dominava o imaginário global, um grupo de bandas britânicas decidiu reafirmar a identidade insular do rock do Reino Unido — referenciando The Beatles, The Kinks e The Smiths em vez de Neil Young ou Black Sabbath.
Blur e Oasis foram os polos magnéticos dessa cena. O primeiro, intelectual e irônico, conectado à arte e ao experimentalismo; o segundo, direto, grandioso e deliberadamente trabalhador. A rivalidade entre os dois — encenada publicamente pela imprensa britânica como "The Battle of Britpop" em 1995 — foi um exercício de marketing acidental que elevou ambos à estratosfera.
Mas o britpop era maior do que essa dupla. Pulp de Jarvis Cocker trouxe a perspectiva da classe trabalhadora com wit singular; Suede misturava androginia e melodrama à Bowie; Elastica comprimia o pós-punk dos anos 1970 em três minutos explosivos. A cena era rica, eclética e profundamente britânica.
O colapso veio rápido: (What's the Story) Morning Glory? de Oasis vendeu oito milhões de cópias no Reino Unido, e de repente o britpop se tornou grande demais para sua própria ideia. Blur respondeu com Blur (1997), seu álbum mais experimental. Suede implodiu e se reinventou. E então tudo acabou tão abruptamente quanto tinha começado.