Os melhores discos de Indie Rock
Analisamos 730 discos de 85 artistas de Indie Rock usando avaliações do Discogs. Aplicamos uma média bayesiana ponderada para separar os melhores: álbuns com mais avaliações têm mais peso, mas discos menores também aparecem quando a qualidade justifica. Os 20 melhores estão em destaque abaixo; os 300 seguintes melhor avaliados seguem na tabela.
Top 20 discos de Indie Rock

The Queen Is Dead
The Smiths
1986
4.61 · 9.181 aval.

Everybody Scream
Florence + the Machine
2025
4.73 · 1.166 aval.

The New Abnormal
The Strokes
2020
4.60 · 3.576 aval.

Either/Or
Elliott Smith
1997
4.61 · 2.818 aval.

Is This It
The Strokes
2001
4.56 · 8.451 aval.

Turn On the Bright Lights
Interpol
2002
4.56 · 4.396 aval.

American Football
American Football
1999
4.58 · 2.671 aval.

Stratosphere
Duster
1998
4.63 · 997 aval.

Transatlanticism
Death Cab for Cutie
2003
4.56 · 2.218 aval.

Whatever People Say I Am, That’s What I’m Not
Arctic Monkeys
2005
4.51 · 7.077 aval.

I Can Hear the Heart Beating as One
Yo La Tengo
1997
4.57 · 1.454 aval.

Bee Thousand
Guided by Voices
1994
4.61 · 926 aval.

Dance Fever
Florence + the Machine
2022
4.58 · 1.106 aval.

High Violet
The National
2010
4.51 · 2.885 aval.

Hex Enduction Hour
The Fall
1982
4.58 · 897 aval.

Crooked Rain, Crooked Rain
Pavement
1994
4.51 · 2.196 aval.

AM
Arctic Monkeys
2013
4.47 · 12.518 aval.

Keep It Like a Secret
Built to Spill
1998
4.54 · 1.256 aval.

The Smiths
The Smiths
1984
4.48 · 4.435 aval.

Una semana en el motor de un autobús
Los Planetas
1998
4.77 · 323 aval.
Os 320 melhores álbuns
| # | Álbum | Artista | Ano | Score | Nota | Aval. |
|---|---|---|---|---|---|---|
| 21 | New Energy | Four Tet | 2017 | 4.46 | 4.61 | 653 |
| 22 | Elliott Smith | Elliott Smith | 1995 | 4.46 | 4.52 | 1.557 |
| 23 | Slanted and Enchanted | Pavement | 1992 | 4.45 | 4.50 | 2.237 |
| 24 | Funeral | Arcade Fire | 2004 | 4.45 | 4.47 | 6.201 |
| 25 | Perfect From Now On | Built to Spill | 1996 | 4.45 | 4.55 | 988 |
| 26 | Emergency & I | The Dismemberment Plan | 1999 | 4.45 | 4.65 | 474 |
| 27 | XO | Elliott Smith | 1998 | 4.44 | 4.50 | 1.641 |
| 28 | Meat Is Murder | The Smiths | 1985 | 4.44 | 4.46 | 5.089 |
| 29 | The Suburbs | Arcade Fire | 2010 | 4.44 | 4.46 | 4.639 |
| 30 | There Is Love in You | Four Tet | 2010 | 4.44 | 4.52 | 1.115 |
| 31 | This Nation’s Saving Grace | The Fall | 1985 | 4.44 | 4.51 | 1.243 |
| 32 | Menos el Oso | Minus the Bear | 2005 | 4.44 | 4.63 | 471 |
| 33 | Plans | Death Cab for Cutie | 2005 | 4.43 | 4.48 | 1.774 |
| 34 | You Forgot It in People | Broken Social Scene | 2002 | 4.43 | 4.51 | 1.063 |
| 35 | Boxer | The National | 2007 | 4.43 | 4.46 | 2.662 |
| 36 | There’s Nothing Wrong With Love | Built to Spill | 1994 | 4.43 | 4.54 | 741 |
| 37 | HEY WHAT | Low | 2021 | 4.42 | 4.54 | 708 |
| 38 | Roman Candle | Elliott Smith | 1994 | 4.42 | 4.52 | 786 |
| 39 | Things We Lost in the Fire | Low | 2001 | 4.42 | 4.53 | 699 |
| 40 | 16 Lovers Lane | The Go‐Betweens | 1988 | 4.42 | 4.52 | 757 |
| 41 | Perverted by Language | The Fall | 1983 | 4.41 | 4.52 | 741 |
| 42 | Trouble Will Find Me | The National | 2013 | 4.41 | 4.45 | 2.151 |
| 43 | And Then Nothing Turned Itself Inside‐Out | Yo La Tengo | 2000 | 4.41 | 4.48 | 1.165 |
| 44 | Silent Alarm | Bloc Party | 2004 | 4.41 | 4.44 | 2.508 |
| 45 | Strangeways, Here We Come | The Smiths | 1987 | 4.41 | 4.43 | 3.606 |
| 46 | Consolers of the Lonely | The Raconteurs | 2008 | 4.41 | 4.45 | 1.725 |
| 47 | Nocturne | Wild Nothing | 2012 | 4.40 | 4.51 | 657 |
| 48 | I Could Live in Hope | Low | 1994 | 4.40 | 4.58 | 394 |
| 49 | Alien Lanes | Guided by Voices | 1995 | 4.40 | 4.48 | 863 |
| 50 | Favourite Worst Nightmare | Arctic Monkeys | 2007 | 4.40 | 4.41 | 6.008 |
| 51 | Halcyon Digest | Deerhunter | 2010 | 4.40 | 4.45 | 1.339 |
| 52 | Planet of Ice | Minus the Bear | 2007 | 4.40 | 4.60 | 341 |
| 53 | Microcastle / Weird Era Cont. | Deerhunter | 2008 | 4.40 | 4.47 | 918 |
| 54 | Contemporary Movement | Duster | 2000 | 4.39 | 4.55 | 436 |
| 55 | Gemini | Wild Nothing | 2010 | 4.39 | 4.53 | 494 |
| 56 | Neon Golden | The Notwist | 2002 | 4.39 | 4.45 | 1.147 |
| 57 | Oshin | DIIV | 2012 | 4.39 | 4.46 | 934 |
| 58 | Ga Ga Ga Ga Ga | Spoon | 2007 | 4.39 | 4.45 | 1.077 |
| 59 | Double Negative | Low | 2018 | 4.39 | 4.47 | 793 |
| 60 | Frengers | Mew | 2003 | 4.39 | 4.51 | 528 |
| 61 | Wowee Zowee | Pavement | 1995 | 4.39 | 4.43 | 1.437 |
| 62 | Room on Fire | The Strokes | 2003 | 4.38 | 4.40 | 4.156 |
| 63 | Grotesque (After the Gramme) | The Fall | 1980 | 4.38 | 4.46 | 830 |
| 64 | Secret Name | Low | 1999 | 4.38 | 4.53 | 427 |
| 65 | Help Us Stranger | The Raconteurs | 2019 | 4.38 | 4.43 | 1.322 |
| 66 | How Big, How Blue, How Beautiful | Florence + the Machine | 2015 | 4.38 | 4.42 | 1.667 |
| 67 | High as Hope | Florence + the Machine | 2018 | 4.38 | 4.45 | 911 |
| 68 | Total Life Forever | Foals | 2010 | 4.38 | 4.44 | 1.061 |
| 69 | Domestica | Cursive | 2000 | 4.38 | 4.59 | 291 |
| 70 | Highly Refined Pirates | Minus the Bear | 2002 | 4.38 | 4.56 | 338 |
| 71 | Chain Yer Dragon | Goose | 2025 | 4.38 | 4.86 | 126 |
| 72 | Lucifer on the Sofa | Spoon | 2022 | 4.38 | 4.47 | 653 |
| 73 | Evil Friends | Portugal. The Man | 2013 | 4.38 | 4.47 | 653 |
| 74 | The Ugly Organ | Cursive | 2003 | 4.38 | 4.49 | 507 |
| 75 | Unsolved | Karate | 2000 | 4.37 | 4.61 | 245 |
| 76 | Deceiver | DIIV | 2019 | 4.37 | 4.48 | 546 |
| 77 | Rounds | Four Tet | 2003 | 4.37 | 4.42 | 1.236 |
| 78 | Lungs | Florence + the Machine | 2009 | 4.37 | 4.39 | 3.494 |
| 79 | The La’s | The La’s | 1990 | 4.37 | 4.41 | 1.479 |
| 80 | Is the Is Are | DIIV | 2016 | 4.37 | 4.45 | 692 |
| 81 | Seamonsters | The Wedding Present | 1991 | 4.37 | 4.48 | 498 |
| 82 | American Football | American Football | 2019 | 4.37 | 4.47 | 537 |
| 83 | Sixteen Oceans | Four Tet | 2020 | 4.37 | 4.49 | 433 |
| 84 | Figure 8 | Elliott Smith | 2000 | 4.36 | 4.40 | 1.486 |
| 85 | Gimme Fiction | Spoon | 2005 | 4.36 | 4.42 | 934 |
| 86 | Fever to Tell | Yeah Yeah Yeahs | 2003 | 4.36 | 4.40 | 1.413 |
| 87 | Sleep Well Beast | The National | 2017 | 4.36 | 4.39 | 1.810 |
| 88 | The Bed Is in the Ocean | Karate | 1998 | 4.36 | 4.53 | 302 |
| 89 | Dripfield | Goose | 2022 | 4.36 | 4.64 | 176 |
| 90 | The Satanic Satanist | Portugal. The Man | 2009 | 4.36 | 4.48 | 401 |
| 91 | Frog in Boiling Water | DIIV | 2024 | 4.36 | 4.56 | 241 |
| 92 | Propeller | Guided by Voices | 1992 | 4.36 | 4.53 | 281 |
| 93 | Sterben in Karl-Marx-Stadt | Kraftklub | 2025 | 4.36 | 4.72 | 132 |
| 94 | Karate | Karate | 1996 | 4.35 | 4.51 | 304 |
| 95 | The Black Light | Calexico | 1998 | 4.35 | 4.40 | 1.015 |
| 96 | Brighten the Corners | Pavement | 1997 | 4.35 | 4.39 | 1.293 |
| 97 | Live at the Witch Trials | The Fall | 1979 | 4.35 | 4.41 | 820 |
| 98 | Constellations for the Lonely | Doves | 2025 | 4.35 | 4.61 | 181 |
| 99 | Laugh Track | The National | 2023 | 4.35 | 4.49 | 335 |
| 100 | The Wonderful and Frightening World of… The Fall | The Fall | 1984 | 4.35 | 4.41 | 791 |
| 101 | Up the Bracket | The Libertines | 2002 | 4.35 | 4.39 | 1.208 |
| 102 | Painful | Yo La Tengo | 1993 | 4.35 | 4.40 | 948 |
| 103 | Bend Sinister | The Fall | 1986 | 4.35 | 4.41 | 751 |
| 104 | Hissing Fauna, Are You the Destroyer? | of Montreal | 2007 | 4.35 | 4.41 | 728 |
| 105 | From a Basement on the Hill | Elliott Smith | 2004 | 4.35 | 4.39 | 1.075 |
| 106 | Three | Four Tet | 2024 | 4.35 | 4.55 | 219 |
| 107 | What Went Down | Foals | 2015 | 4.35 | 4.39 | 1.050 |
| 108 | In the Presence of Nothing | Lilys | 1992 | 4.35 | 4.57 | 197 |
| 109 | I Am Easy to Find | The National | 2019 | 4.35 | 4.39 | 1.042 |
| 110 | Alligator | The National | 2005 | 4.35 | 4.38 | 1.352 |
| 111 | The Curtain Hits the Cast | Low | 1996 | 4.35 | 4.50 | 282 |
| 112 | Audio Vertigo | Elbow | 2024 | 4.35 | 4.50 | 273 |
| 113 | Pop | Los Planetas | 1996 | 4.34 | 4.53 | 224 |
| 114 | Dragnet | The Fall | 1979 | 4.34 | 4.40 | 736 |
| 115 | The Universal Want | Doves | 2020 | 4.34 | 4.46 | 344 |
| 116 | They Want My Soul | Spoon | 2014 | 4.34 | 4.39 | 847 |
| 117 | Antics | Interpol | 2004 | 4.34 | 4.36 | 2.248 |
| 118 | Shrink | The Notwist | 1998 | 4.34 | 4.44 | 411 |
| 119 | Antidotes | Foals | 2008 | 4.34 | 4.38 | 1.007 |
| 120 | In Place of Real Insight | Karate | 1997 | 4.34 | 4.51 | 232 |
| 121 | Trust | Low | 2002 | 4.34 | 4.42 | 486 |
| 122 | Boom. Done. | Anthony Green | 2022 | 4.34 | 4.85 | 75 |
| 123 | In the Mountain in the Cloud | Portugal. The Man | 2011 | 4.34 | 4.42 | 460 |
| 124 | Today’s Active Lifestyles | Polvo | 1993 | 4.34 | 4.47 | 275 |
| 125 | Electr‐O‐Pura | Yo La Tengo | 1995 | 4.34 | 4.39 | 678 |
| 126 | This Stupid World | Yo La Tengo | 2023 | 4.33 | 4.43 | 371 |
| 127 | Vertigo Days | The Notwist | 2021 | 4.33 | 4.46 | 283 |
| 128 | Under the Bushes Under the Stars | Guided by Voices | 1996 | 4.33 | 4.40 | 534 |
| 129 | American Football | American Football | 2026 | 4.33 | 4.69 | 100 |
| 130 | Unidad de desplazamiento | Los Planetas | 2000 | 4.33 | 4.60 | 133 |
| 131 | Yerself Is Steam | Mercury Rev | 1991 | 4.33 | 4.41 | 449 |
| 132 | Ceremonials | Florence + the Machine | 2011 | 4.33 | 4.35 | 1.891 |
| 133 | Eccsame the Photon Band | Lilys | 1994 | 4.33 | 4.58 | 136 |
| 134 | Humbug | Arctic Monkeys | 2009 | 4.33 | 4.34 | 3.188 |
| 135 | This Is How You Smile | Helado Negro | 2019 | 4.33 | 4.56 | 146 |
| 136 | Before Hollywood | The Go‐Betweens | 1983 | 4.33 | 4.41 | 411 |
| 137 | Everything Not Saved Will Be Lost, Part 1 | Foals | 2019 | 4.33 | 4.38 | 650 |
| 138 | Together | Duster | 2022 | 4.33 | 4.50 | 189 |
| 139 | Mit K | Kraftklub | 2012 | 4.33 | 4.39 | 488 |
| 140 | Lost Souls | Doves | 2000 | 4.33 | 4.36 | 903 |
| 141 | Oceans Apart | The Go‐Betweens | 2005 | 4.32 | 4.45 | 250 |
| 142 | KARGO | Kraftklub | 2022 | 4.32 | 4.51 | 167 |
| 143 | Liberty Belle and the Black Diamond Express | The Go‐Betweens | 1986 | 4.32 | 4.39 | 468 |
| 144 | Boys and Girls in America | The Hold Steady | 2006 | 4.32 | 4.40 | 399 |
| 145 | The Real New Fall LP (formerly Country on the Click) | The Fall | 2003 | 4.32 | 4.40 | 391 |
| 146 | The Sunlandic Twins | of Montreal | 2005 | 4.32 | 4.40 | 381 |
| 147 | The Photo Album | Death Cab for Cutie | 2001 | 4.32 | 4.38 | 511 |
| 148 | SHISH | Portugal. The Man | 2025 | 4.32 | 4.67 | 85 |
| 149 | Girls Can Tell | Spoon | 2001 | 4.32 | 4.38 | 508 |
| 150 | Cryptograms | Deerhunter | 2007 | 4.32 | 4.38 | 503 |
| 151 | Duster | Duster | 2019 | 4.32 | 4.44 | 244 |
| 152 | Exploded Drawing | Polvo | 1996 | 4.32 | 4.44 | 242 |
| 153 | All Quiet on the Eastern Esplanade | The Libertines | 2024 | 4.32 | 4.43 | 263 |
| 154 | Midnight Boom | The Kills | 2008 | 4.32 | 4.36 | 726 |
| 155 | Rings Around the World | Super Furry Animals | 2001 | 4.32 | 4.37 | 575 |
| 156 | Selling a Vibe | The Cribs | 2026 | 4.32 | 4.81 | 58 |
| 157 | Long Division | Low | 1995 | 4.32 | 4.44 | 234 |
| 158 | Waiter: "You Vultures!" | Portugal. The Man | 2006 | 4.32 | 4.46 | 196 |
| 159 | Fakebook | Yo La Tengo | 1990 | 4.32 | 4.38 | 445 |
| 160 | Indigo | Wild Nothing | 2018 | 4.32 | 4.46 | 194 |
| 161 | News from Planet Zombie | The Notwist | 2026 | 4.32 | 4.61 | 94 |
| 162 | Chris Black Changed My Life | Portugal. The Man | 2023 | 4.32 | 4.52 | 135 |
| 163 | You in Reverse | Built to Spill | 2006 | 4.32 | 4.38 | 428 |
| 164 | First Two Pages of Frankenstein | The National | 2023 | 4.32 | 4.35 | 792 |
| 165 | Fall Heads Roll | The Fall | 2005 | 4.32 | 4.39 | 357 |
| 166 | The Forest Is the Path | Snow Patrol | 2024 | 4.32 | 4.47 | 169 |
| 167 | George Best | The Wedding Present | 1987 | 4.31 | 4.35 | 701 |
| 168 | In Prism | Polvo | 2009 | 4.31 | 4.56 | 102 |
| 169 | Cool It Down | Yeah Yeah Yeahs | 2022 | 4.31 | 4.36 | 536 |
| 170 | Pause | Four Tet | 2001 | 4.31 | 4.35 | 676 |
| 171 | Far In | Helado Negro | 2021 | 4.31 | 4.54 | 110 |
| 172 | Tranquility Base Hotel & Casino | Arctic Monkeys | 2018 | 4.31 | 4.32 | 3.564 |
| 173 | And the Glass Handed Kites | Mew | 2005 | 4.31 | 4.36 | 530 |
| 174 | Everything Not Saved Will Be Lost, Part 2 | Foals | 2019 | 4.31 | 4.36 | 516 |
| 175 | North Circular | The Bevis Frond | 1997 | 4.31 | 4.56 | 95 |
| 176 | Our First American Friends | Tubelord | 2009 | 4.31 | 4.77 | 51 |
| 177 | Separation Sunday | The Hold Steady | 2005 | 4.31 | 4.41 | 231 |
| 178 | Deserter’s Songs | Mercury Rev | 1998 | 4.31 | 4.33 | 1.107 |
| 179 | Bizarro | The Wedding Present | 1989 | 4.31 | 4.35 | 550 |
| 180 | Lousy With Sylvianbriar | of Montreal | 2013 | 4.31 | 4.40 | 244 |
| 181 | The Human Fear | Franz Ferdinand | 2025 | 4.31 | 4.38 | 301 |
| 182 | Tonics & Twisted Chasers | Guided by Voices | 1996 | 4.31 | 4.49 | 118 |
| 183 | Una ópera egipcia | Los Planetas | 2010 | 4.31 | 4.51 | 106 |
| 184 | The Seldom Seen Kid | Elbow | 2008 | 4.30 | 4.32 | 1.138 |
| 185 | Foolish | Superchunk | 1994 | 4.30 | 4.37 | 290 |
| 186 | Whenever, If Ever | The World Is a Beautiful Place & I Am No Longer Afraid to Die | 2013 | 4.30 | 4.37 | 283 |
| 187 | Phasor | Helado Negro | 2024 | 4.30 | 4.54 | 80 |
| 188 | Satanic Panic in the Attic | of Montreal | 2004 | 4.30 | 4.35 | 371 |
| 189 | Harmlessness | The World Is a Beautiful Place & I Am No Longer Afraid to Die | 2015 | 4.30 | 4.38 | 222 |
| 190 | Cor-Crane Secret | Polvo | 1992 | 4.30 | 4.37 | 234 |
| 191 | Life Is Yours | Foals | 2022 | 4.30 | 4.33 | 512 |
| 192 | Any Gas Faster | The Bevis Frond | 1990 | 4.30 | 4.45 | 109 |
| 193 | Spring Hill Fair | The Go‐Betweens | 1984 | 4.30 | 4.35 | 312 |
| 194 | The 3 Way | Lilys | 1999 | 4.30 | 4.54 | 67 |
| 195 | Little Eden | The Bevis Frond | 2021 | 4.30 | 4.50 | 79 |
| 196 | Mosaic | Wovenhand | 2006 | 4.30 | 4.36 | 249 |
| 197 | Christmas | Low | 1999 | 4.30 | 4.34 | 356 |
| 198 | Eligible Bachelors | The Monochrome Set | 1982 | 4.30 | 4.35 | 284 |
| 199 | Seeds | TV on the Radio | 2014 | 4.29 | 4.33 | 435 |
| 200 | Ash & Ice | The Kills | 2016 | 4.29 | 4.32 | 578 |
| 201 | Censored Colors | Portugal. The Man | 2008 | 4.29 | 4.37 | 194 |
| 202 | God Games | The Kills | 2023 | 4.29 | 4.38 | 167 |
| 203 | Asphalt Meadows (Acoustic) | Death Cab for Cutie | 2023 | 4.29 | 4.50 | 68 |
| 204 | Acoustics II | Minus the Bear | 2013 | 4.29 | 4.41 | 120 |
| 205 | Real Power | Gossip | 2024 | 4.29 | 4.44 | 94 |
| 206 | Bobbie Gentry’s the Delta Sweete Revisited | Mercury Rev | 2019 | 4.29 | 4.36 | 205 |
| 207 | Vampire on Titus | Guided by Voices | 1993 | 4.29 | 4.35 | 239 |
| 208 | Mwng | Super Furry Animals | 2000 | 4.29 | 4.35 | 228 |
| 209 | In Dreams | Duster | 2024 | 4.29 | 4.49 | 67 |
| 210 | Stoneage Romeos | Hoodoo Gurus | 1984 | 4.29 | 4.31 | 688 |
| 211 | Kill the Moonlight | Spoon | 2002 | 4.29 | 4.31 | 681 |
| 212 | What a Time to Be Alive | Superchunk | 2018 | 4.29 | 4.37 | 165 |
| 213 | Las canciones del agua | Los Planetas | 2022 | 4.29 | 4.45 | 82 |
| 214 | Some Boots | Karate | 2002 | 4.29 | 4.37 | 157 |
| 215 | Beautiful Rewind | Four Tet | 2013 | 4.29 | 4.32 | 408 |
| 216 | SCHOOL GIRL DISTORTIONAL ADDICT | NUMBER GIRL | 1999 | 4.29 | 4.57 | 44 |
| 217 | White Numbers | The Bevis Frond | 2013 | 4.29 | 4.53 | 51 |
| 218 | 12 | The Notwist | 1995 | 4.29 | 4.35 | 191 |
| 219 | Double Youth | Helado Negro | 2014 | 4.29 | 4.67 | 30 |
| 220 | Superseeder | The Bevis Frond | 1995 | 4.29 | 4.39 | 110 |
| 221 | Ones and Sixes | Low | 2015 | 4.29 | 4.31 | 483 |
| 222 | Observator | The Raveonettes | 2012 | 4.29 | 4.35 | 166 |
| 223 | No Pocky for Kitty | Superchunk | 1991 | 4.29 | 4.32 | 305 |
| 224 | Landing | Landing | 2012 | 4.29 | 4.67 | 27 |
| 225 | A Series of Sneaks | Spoon | 1998 | 4.29 | 4.33 | 230 |
| 226 | Let's Skip to the Wedding | Eyedress | 2020 | 4.29 | 4.44 | 66 |
| 227 | Private Energy | Helado Negro | 2016 | 4.29 | 4.47 | 55 |
| 228 | How Do You Spell Heaven | Guided by Voices | 2017 | 4.29 | 4.42 | 75 |
| 229 | Radiator | Super Furry Animals | 1997 | 4.28 | 4.31 | 394 |
| 230 | Devil Between My Toes | Guided by Voices | 1987 | 4.28 | 4.38 | 103 |
| 231 | Feel Good Lost | Broken Social Scene | 2001 | 4.28 | 4.32 | 277 |
| 232 | Logos | Atlas Sound | 2009 | 4.28 | 4.31 | 386 |
| 233 | George Best 30 | The Wedding Present | 2017 | 4.28 | 4.42 | 71 |
| 234 | When the Wind Forgets Your Name | Built to Spill | 2022 | 4.28 | 4.32 | 265 |
| 235 | Avalon | Anthony Green | 2008 | 4.28 | 4.61 | 28 |
| 236 | Everything Must Go | Goose | 2025 | 4.28 | 4.93 | 14 |
| 237 | Mag Earwhig! | Guided by Voices | 1997 | 4.28 | 4.31 | 322 |
| 238 | White Is Relic / Irrealis Mood | of Montreal | 2018 | 4.28 | 4.38 | 87 |
| 239 | Holy Fire | Foals | 2013 | 4.28 | 4.29 | 1.093 |
| 240 | London Stone | The Bevis Frond | 1992 | 4.28 | 4.34 | 142 |
| 241 | Terror Twilight | Pavement | 1999 | 4.28 | 4.29 | 992 |
| 242 | American Ghetto | Portugal. The Man | 2010 | 4.28 | 4.33 | 167 |
| 243 | NUM‐HEAVYMETALLIC | NUMBER GIRL | 2002 | 4.28 | 4.53 | 32 |
| 244 | Valedictory Songs | The Bevis Frond | 2000 | 4.28 | 4.64 | 22 |
| 245 | The Infotainment Scan | The Fall | 1993 | 4.28 | 4.30 | 412 |
| 246 | Refractory Obdurate | Wovenhand | 2014 | 4.28 | 4.31 | 258 |
| 247 | Passages Through | Landing | 2003 | 4.28 | 4.75 | 16 |
| 248 | Pockets | Karate | 2004 | 4.28 | 4.35 | 107 |
| 249 | Illusory Walls | The World Is a Beautiful Place & I Am No Longer Afraid to Die | 2021 | 4.28 | 4.40 | 62 |
| 250 | Affable With Pointed Teeth | Eyedress | 2021 | 4.28 | 4.65 | 20 |
| 251 | The Leaving of London | The Bevis Frond | 2011 | 4.28 | 4.38 | 74 |
| 252 | Woven Hand | Wovenhand | 2002 | 4.28 | 4.31 | 230 |
| 253 | I Am Kurious Oranj | The Fall | 1988 | 4.28 | 4.29 | 666 |
| 254 | In Schwarz | Kraftklub | 2014 | 4.28 | 4.30 | 339 |
| 255 | This Is It and I Am It and You Are It and So Is That and He Is It and She Is It and It Is It and That Is That | Marnie Stern | 2008 | 4.28 | 4.36 | 85 |
| 256 | Isolation Drills | Guided by Voices | 2001 | 4.28 | 4.30 | 323 |
| 257 | Almost Killed Me | The Hold Steady | 2004 | 4.28 | 4.32 | 161 |
| 258 | Sphere | Landing | 2004 | 4.28 | 4.47 | 34 |
| 259 | Anywhere but Here | Sorry | 2022 | 4.28 | 4.38 | 64 |
| 260 | In Advance of the Broken Arm | Marnie Stern | 2007 | 4.28 | 4.40 | 52 |
| 261 | So Long, Avalon | Anthony Green | 2025 | 4.28 | 4.90 | 10 |
| 262 | We Have the Facts and We’re Voting Yes | Death Cab for Cutie | 2000 | 4.28 | 4.29 | 508 |
| 263 | The Friends of Rachel Worth | The Go‐Betweens | 2000 | 4.28 | 4.30 | 278 |
| 264 | Into the Blue | The Joy Formidable | 2021 | 4.28 | 4.37 | 64 |
| 265 | Shenanigans Nite Club | Goose | 2021 | 4.28 | 5.00 | 8 |
| 266 | Here’s Where the Strings Come In | Superchunk | 1995 | 4.28 | 4.30 | 236 |
| 267 | Church Mouth | Portugal. The Man | 2007 | 4.28 | 4.30 | 220 |
| 268 | WE | Arcade Fire | 2022 | 4.28 | 4.28 | 1.277 |
| 269 | 2016 Atomized | The Raveonettes | 2017 | 4.28 | 4.33 | 92 |
| 270 | i’mperfect | 凛として時雨 | 2013 | 4.28 | 4.50 | 22 |
| 271 | Dreams of Being Dust | The World Is a Beautiful Place & I Am No Longer Afraid to Die | 2025 | 4.27 | 4.50 | 20 |
| 272 | There Is No Enemy | Built to Spill | 2009 | 4.27 | 4.29 | 283 |
| 273 | Moon Cabin | Goose | 2016 | 4.27 | 5.00 | 6 |
| 274 | Desperate Youth, Blood Thirsty Babes | TV on the Radio | 2004 | 4.27 | 4.28 | 670 |
| 275 | Hold | Wild Nothing | 2023 | 4.27 | 4.64 | 11 |
| 276 | No Wow | The Kills | 2005 | 4.27 | 4.28 | 649 |
| 277 | Valentina | The Wedding Present | 2012 | 4.27 | 4.32 | 84 |
| 278 | American Football | American Football | 2016 | 4.27 | 4.28 | 563 |
| 279 | Consider the Birds | Wovenhand | 2004 | 4.27 | 4.29 | 210 |
| 280 | Majesty Shredding | Superchunk | 2010 | 4.27 | 4.30 | 131 |
| 281 | Same Place the Fly Got Smashed | Guided by Voices | 1990 | 4.27 | 4.32 | 75 |
| 282 | The Comeback Kid | Marnie Stern | 2023 | 4.27 | 4.47 | 17 |
| 283 | #5 | 凛として時雨 | 2018 | 4.27 | 4.83 | 6 |
| 284 | Sensitive G | Eyedress | 2018 | 4.27 | 4.45 | 18 |
| 285 | Patience | Sondre Lerche | 2020 | 4.27 | 4.50 | 14 |
| 286 | Manilla Ice | Eyedress | 2017 | 4.27 | 4.50 | 14 |
| 287 | SCHOOL GIRL BYE BYE | NUMBER GIRL | 1997 | 4.27 | 4.50 | 14 |
| 288 | Doom. Spun. | Anthony Green | 2024 | 4.27 | 4.71 | 7 |
| 289 | August By Cake | Guided by Voices | 2017 | 4.27 | 4.32 | 63 |
| 290 | Room to Live | The Fall | 1982 | 4.27 | 4.28 | 372 |
| 291 | What Did for the Dinosaurs | The Bevis Frond | 2002 | 4.27 | 4.32 | 62 |
| 292 | Would You Still Be in Love | Anthony Green | 2018 | 4.27 | 5.00 | 4 |
| 293 | Would You Still Be With Strings | Anthony Green | 2019 | 4.27 | 5.00 | 4 |
| 294 | Drift | Anthony Green | 2024 | 4.27 | 5.00 | 4 |
| 295 | Leaves Me Blind | Underground Lovers | 1992 | 4.27 | 4.35 | 34 |
| 296 | La leyenda del espacio | Los Planetas | 2007 | 4.27 | 4.80 | 5 |
| 297 | Third Sight | Landing | 2016 | 4.27 | 4.34 | 38 |
| 298 | Locked Down and Stripped Back | The Wedding Present | 2021 | 4.27 | 4.56 | 9 |
| 299 | The Unutterable | The Fall | 2000 | 4.27 | 4.28 | 291 |
| 300 | Seasons | Landing | 2002 | 4.27 | 4.41 | 17 |
| 301 | Two Way Monologue | Sondre Lerche | 2003 | 4.27 | 4.30 | 74 |
| 302 | Complekt | Landing | 2016 | 4.27 | 5.00 | 3 |
| 303 | Staring at You Staring at Me | Underground Lovers | 2017 | 4.27 | 4.39 | 18 |
| 304 | Awe Owe | Helado Negro | 2009 | 4.27 | 4.46 | 11 |
| 305 | The Storms of Early Summer: Semantics of Song | Cursive | 1998 | 4.27 | 4.30 | 70 |
| 306 | Half Smiles of the Decomposed | Guided by Voices | 2004 | 4.27 | 4.28 | 205 |
| 307 | Duende | Shrimp Boat | 1991 | 4.27 | 4.50 | 8 |
| 308 | Cold Feeling | Underground Lovers | 1998 | 4.27 | 4.50 | 8 |
| 309 | The Lilys / Aspera Ad Astra | Lilys | 2000 | 4.27 | 4.42 | 12 |
| 310 | Neon Bible | Arcade Fire | 2007 | 4.27 | 4.27 | 3.400 |
| 311 | Invisible Life | Helado Negro | 2013 | 4.27 | 4.34 | 24 |
| 312 | SAPPUKEI | NUMBER GIRL | 2000 | 4.27 | 4.31 | 39 |
| 313 | Volume One | Shrimp Boat | 1991 | 4.27 | 5.00 | 2 |
| 314 | Young Legs | Anthony Green | 2013 | 4.27 | 5.00 | 2 |
| 315 | 3/5 | Les Savy Fav | 1997 | 4.27 | 4.31 | 35 |
| 316 | Return to Cookie Mountain | TV on the Radio | 2006 | 4.27 | 4.27 | 1.241 |
| 317 | The Libertines | The Libertines | 2004 | 4.27 | 4.27 | 1.192 |
| 318 | Weekend | Underground Lovers | 2013 | 4.27 | 4.40 | 10 |
| 319 | Encuentros con entidades | Los Planetas | 2002 | 4.27 | 4.36 | 14 |
| 320 | Feast of Wire | Calexico | 2003 | 4.27 | 4.27 | 952 |
Sobre Indie Rock
O indie rock dos anos 2000 foi uma reinvenção do espírito punk e new wave numa era de internet nascente. The Strokes, com Is This It (2001), mostraram que era possível fazer rock que soava urgente e moderno sem abrir mão das melodias imediatas. A produção propositalmente lo-fi de Gordon Raphael capturou algo que o rock polido dos anos 1990 havia perdido.
Arctic Monkeys representaram o potencial transformador da internet: antes de ter um contrato com gravadora, suas demos circulavam em CDs queimados nos shows de Sheffield. Quando Whatever People Say I Am, That's What I'm Not saiu em 2006, tornou-se o álbum de estreia com vendas mais rápidas da história britânica. Era indie mas com alcance de arena.
Vampire Weekend trouxe outra dimensão: worldbeat, música clássica, literatura e ironia pós-moderna aplicados ao formato de canção de três minutos. LCD Soundsystem fundiu o indie rock com a dance music de uma forma que parecia impossível e inevitável ao mesmo tempo. Wilco construiu um dos catálogos mais consistentes do período, de Summerteeth a Yankee Hotel Foxtrot.
O indie rock é hoje o subgênero mais amplo e menos definível do rock: mais uma atitude e um circuito de distribuição do que um som específico. No vinil, as prensagens dos selos independentes, como Matador, Merge e XL Recordings, têm um valor especial para colecionadores que entendem a música como artefato cultural.