Os melhores discos de Progressive Rock
Analisamos 1.106 discos de 72 artistas de Progressive Rock usando avaliações do Discogs. Aplicamos uma média bayesiana ponderada para separar os melhores: álbuns com mais avaliações têm mais peso, mas discos menores também aparecem quando a qualidade justifica. Os 20 melhores estão em destaque abaixo; os 300 seguintes melhor avaliados seguem na tabela.
Top 20 discos de Progressive Rock

The Dark Side of the Moon
Pink Floyd
1973
4.75 · 33.072 aval.

Wish You Were Here
Pink Floyd
1975
4.73 · 22.638 aval.

Fear Inoculum
Tool
2019
4.71 · 4.783 aval.

The Wall
Pink Floyd
1979
4.62 · 21.291 aval.
In the Court of the Crimson King
King Crimson
1969
4.64 · 10.214 aval.

Animals
Pink Floyd
1977
4.61 · 17.034 aval.

Moving Pictures
Rush
1981
4.62 · 6.387 aval.

Blackwater Park
Opeth
2001
4.66 · 3.383 aval.
Red
King Crimson
1974
4.63 · 3.943 aval.

Hot Rats
Frank Zappa
1969
4.62 · 4.242 aval.

Lateralus
Tool
2001
4.57 · 7.941 aval.

Hand. Cannot. Erase.
Steven Wilson
2015
4.69 · 2.238 aval.

Ænima
Tool
1996
4.63 · 3.389 aval.

The Division Bell
Pink Floyd
1994
4.56 · 8.765 aval.

In Absentia
Porcupine Tree
2002
4.65 · 2.712 aval.

Fear of a Blank Planet
Porcupine Tree
2007
4.65 · 2.656 aval.

The Raven That Refused to Sing (and Other Stories)
Steven Wilson
2013
4.66 · 2.311 aval.

Meddle
Pink Floyd
1971
4.53 · 11.833 aval.

Ghost Reveries
Opeth
2005
4.63 · 2.392 aval.

2112
Rush
1976
4.54 · 4.992 aval.
Os 320 melhores álbuns
| # | Álbum | Artista | Ano | Score | Nota | Aval. |
|---|---|---|---|---|---|---|
| 21 | Deadwing | Porcupine Tree | 2005 | 4.47 | 4.62 | 2.211 |
| 22 | The Piper at the Gates of Dawn | Pink Floyd | 1967 | 4.46 | 4.51 | 6.633 |
| 23 | Amused to Death | Roger Waters | 1992 | 4.45 | 4.54 | 3.329 |
| 24 | Aqualung | Jethro Tull | 1971 | 4.44 | 4.49 | 6.554 |
| 25 | In the Land of Grey and Pink | Caravan | 1971 | 4.44 | 4.59 | 2.044 |
| 26 | i/o | Peter Gabriel | 2023 | 4.43 | 4.63 | 1.427 |
| 27 | Close to the Edge | Yes | 1972 | 4.43 | 4.48 | 5.593 |
| 28 | Larks’ Tongues in Aspic | King Crimson | 1973 | 4.43 | 4.52 | 3.034 |
| 29 | Still Life | Opeth | 1999 | 4.43 | 4.58 | 1.830 |
| 30 | Hemispheres | Rush | 1978 | 4.42 | 4.49 | 3.680 |
| 31 | One Size Fits All | Frank Zappa | 1975 | 4.42 | 4.52 | 2.595 |
| 32 | 10,000 Days | Tool | 2006 | 4.41 | 4.49 | 3.402 |
| 33 | Fragile | Yes | 1971 | 4.41 | 4.46 | 5.534 |
| 34 | Permanent Waves | Rush | 1980 | 4.41 | 4.48 | 3.765 |
| 35 | Damnation | Opeth | 2003 | 4.40 | 4.52 | 2.160 |
| 36 | Undertow | Tool | 1993 | 4.40 | 4.45 | 4.917 |
| 37 | Misplaced Childhood | Marillion | 1985 | 4.40 | 4.46 | 4.051 |
| 38 | The Last Will and Testament | Opeth | 2024 | 4.40 | 4.66 | 942 |
| 39 | Thick as a Brick | Jethro Tull | 1972 | 4.40 | 4.45 | 4.763 |
| 40 | Lightbulb Sun | Porcupine Tree | 2000 | 4.39 | 4.55 | 1.560 |
| 41 | Selling England by the Pound | Genesis | 1973 | 4.39 | 4.44 | 5.212 |
| 42 | Apostrophe (’) | Frank Zappa | 1974 | 4.39 | 4.47 | 3.127 |
| 43 | Watershed | Opeth | 2008 | 4.39 | 4.51 | 1.939 |
| 44 | Junta | Phish | 1992 | 4.38 | 4.74 | 629 |
| 45 | Script for a Jester’s Tear | Marillion | 1983 | 4.38 | 4.46 | 2.734 |
| 46 | Closure / Continuation | Porcupine Tree | 2022 | 4.38 | 4.51 | 1.640 |
| 47 | A Farewell to Kings | Rush | 1977 | 4.37 | 4.43 | 3.585 |
| 48 | Discipline | King Crimson | 1981 | 4.37 | 4.44 | 3.063 |
| 49 | Mirage | Camel | 1974 | 4.37 | 4.44 | 2.867 |
| 50 | My Arms, Your Hearse | Opeth | 1998 | 4.36 | 4.52 | 1.293 |
| 51 | The Yes Album | Yes | 1971 | 4.36 | 4.41 | 4.038 |
| 52 | Octopus | Gentle Giant | 1972 | 4.36 | 4.46 | 1.937 |
| 53 | So | Peter Gabriel | 1986 | 4.35 | 4.38 | 7.840 |
| 54 | Signify | Porcupine Tree | 1996 | 4.35 | 4.51 | 1.272 |
| 55 | The Overview | Steven Wilson | 2025 | 4.35 | 4.57 | 914 |
| 56 | Stupid Dream | Porcupine Tree | 1999 | 4.35 | 4.49 | 1.404 |
| 57 | A Saucerful of Secrets | Pink Floyd | 1968 | 4.35 | 4.39 | 4.773 |
| 58 | To the Bone | Steven Wilson | 2017 | 4.34 | 4.46 | 1.583 |
| 59 | The Harmony Codex | Steven Wilson | 2023 | 4.34 | 4.53 | 961 |
| 60 | Crime of the Century | Supertramp | 1974 | 4.34 | 4.37 | 6.053 |
| 61 | Duck Stab / Buster & Glen | The Residents | 1978 | 4.34 | 4.57 | 778 |
| 62 | The Sky Moves Sideways | Porcupine Tree | 1994 | 4.34 | 4.49 | 1.168 |
| 63 | Good Apollo I’m Burning Star IV, Volume One: From Fear Through the Eyes of Madness | Coheed and Cambria | 2005 | 4.34 | 4.49 | 1.166 |
| 64 | Fugazi | Marillion | 1984 | 4.33 | 4.40 | 2.695 |
| 65 | Brave | Marillion | 1994 | 4.33 | 4.49 | 1.130 |
| 66 | Stand Up | Jethro Tull | 1969 | 4.33 | 4.38 | 3.455 |
| 67 | Starless and Bible Black | King Crimson | 1974 | 4.33 | 4.40 | 2.408 |
| 68 | Clutching at Straws | Marillion | 1987 | 4.33 | 4.40 | 2.393 |
| 69 | Lizard | King Crimson | 1970 | 4.33 | 4.39 | 2.717 |
| 70 | Third | Soft Machine | 1970 | 4.33 | 4.43 | 1.605 |
| 71 | Insurgentes | Steven Wilson | 2008 | 4.33 | 4.47 | 1.157 |
| 72 | Morningrise | Opeth | 1996 | 4.33 | 4.46 | 1.239 |
| 73 | In Cauda Venenum | Opeth | 2019 | 4.33 | 4.47 | 1.150 |
| 74 | Meet the Residents | The Residents | 1974 | 4.33 | 4.48 | 1.072 |
| 75 | In Keeping Secrets of Silent Earth: 3 | Coheed and Cambria | 2003 | 4.32 | 4.49 | 1.004 |
| 76 | Not Available | The Residents | 1978 | 4.32 | 4.54 | 767 |
| 77 | Grace for Drowning | Steven Wilson | 2011 | 4.32 | 4.45 | 1.292 |
| 78 | The Story of the Ghost | Phish | 1998 | 4.32 | 4.64 | 512 |
| 79 | Wasteland | Riverside | 2018 | 4.32 | 4.58 | 625 |
| 80 | In the Wake of Poseidon | King Crimson | 1970 | 4.32 | 4.37 | 3.141 |
| 81 | Acquiring the Taste | Gentle Giant | 1971 | 4.32 | 4.46 | 1.132 |
| 82 | The Lamb Lies Down on Broadway | Genesis | 1974 | 4.32 | 4.36 | 3.818 |
| 83 | Rift | Phish | 1993 | 4.32 | 4.63 | 496 |
| 84 | The Second Stage Turbine Blade | Coheed and Cambria | 2002 | 4.31 | 4.52 | 732 |
| 85 | Commercial Album | The Residents | 1980 | 4.31 | 4.50 | 806 |
| 86 | Into the Electric Castle: A Space Opera | Ayreon | 1998 | 4.31 | 4.53 | 684 |
| 87 | Lawn Boy | Phish | 1990 | 4.31 | 4.60 | 518 |
| 88 | Atom Heart Mother | Pink Floyd | 1970 | 4.31 | 4.33 | 7.249 |
| 89 | Eskimo | The Residents | 1979 | 4.31 | 4.48 | 871 |
| 90 | If I Could Do It All Over Again, I’d Do It All Over You | Caravan | 1970 | 4.31 | 4.46 | 985 |
| 91 | The Third Reich ’n Roll | The Residents | 1976 | 4.31 | 4.47 | 898 |
| 92 | Breakfast in America | Supertramp | 1979 | 4.31 | 4.32 | 11.355 |
| 93 | A Picture of Nectar | Phish | 1992 | 4.31 | 4.60 | 498 |
| 94 | Out of Myself | Riverside | 2003 | 4.31 | 4.58 | 534 |
| 95 | Alternative 4 | Anathema | 1998 | 4.31 | 4.45 | 1.007 |
| 96 | ID.Entity | Riverside | 2023 | 4.30 | 4.56 | 512 |
| 97 | An Hour Before It’s Dark | Marillion | 2022 | 4.30 | 4.52 | 599 |
| 98 | Love, Fear and the Time Machine | Riverside | 2015 | 4.29 | 4.52 | 586 |
| 99 | The Soft Machine | Soft Machine | 1968 | 4.29 | 4.40 | 1.244 |
| 100 | Deliverance | Opeth | 2002 | 4.29 | 4.39 | 1.366 |
| 101 | Moonmadness | Camel | 1976 | 4.29 | 4.35 | 2.318 |
| 102 | Gentle Giant | Gentle Giant | 1970 | 4.29 | 4.39 | 1.353 |
| 103 | Waka/Jawaka | Frank Zappa | 1972 | 4.29 | 4.38 | 1.506 |
| 104 | Shrine of New Generation Slaves | Riverside | 2013 | 4.29 | 4.54 | 524 |
| 105 | Second Life Syndrome | Riverside | 2005 | 4.29 | 4.57 | 459 |
| 106 | Signals | Rush | 1982 | 4.29 | 4.33 | 3.249 |
| 107 | Sorceress | Opeth | 2016 | 4.29 | 4.37 | 1.612 |
| 108 | Weather Systems | Anathema | 2012 | 4.29 | 4.44 | 854 |
| 109 | Pale Communion | Opeth | 2014 | 4.29 | 4.37 | 1.603 |
| 110 | The Human Equation | Ayreon | 2004 | 4.29 | 4.49 | 635 |
| 111 | Marbles | Marillion | 2004 | 4.29 | 4.48 | 662 |
| 112 | Up the Downstair | Porcupine Tree | 1993 | 4.29 | 4.40 | 1.132 |
| 113 | Billy Breathes | Phish | 1996 | 4.29 | 4.54 | 497 |
| 114 | The Songs of Distant Earth | Mike Oldfield | 1994 | 4.29 | 4.41 | 1.018 |
| 115 | Foxtrot | Genesis | 1972 | 4.29 | 4.32 | 3.821 |
| 116 | Fly by Night | Rush | 1975 | 4.29 | 4.34 | 2.367 |
| 117 | Three Friends | Gentle Giant | 1972 | 4.29 | 4.38 | 1.318 |
| 118 | Farmhouse | Phish | 2000 | 4.28 | 4.57 | 423 |
| 119 | Vigil in a Wilderness of Mirrors | Fish | 1990 | 4.28 | 4.40 | 1.042 |
| 120 | Orchid | Opeth | 1995 | 4.28 | 4.39 | 1.121 |
| 121 | Shut Up ’n Play Yer Guitar | Frank Zappa | 1981 | 4.28 | 4.38 | 1.218 |
| 122 | The Power and the Glory | Gentle Giant | 1974 | 4.28 | 4.38 | 1.218 |
| 123 | Your Wilderness | The Pineapple Thief | 2016 | 4.28 | 4.58 | 399 |
| 124 | Jurassic Shift | Ozric Tentacles | 1993 | 4.28 | 4.49 | 561 |
| 125 | Weltschmerz | Fish | 2020 | 4.28 | 4.69 | 280 |
| 126 | The Snow Goose | Camel | 1975 | 4.28 | 4.33 | 2.187 |
| 127 | In a Glass House | Gentle Giant | 1973 | 4.28 | 4.38 | 1.093 |
| 128 | The Incident | Porcupine Tree | 2009 | 4.28 | 4.35 | 1.490 |
| 129 | Judgement | Anathema | 1999 | 4.28 | 4.39 | 969 |
| 130 | Fuck Everyone and Run (F E A R) | Marillion | 2016 | 4.27 | 4.43 | 710 |
| 131 | 01011001 | Ayreon | 2008 | 4.27 | 4.48 | 536 |
| 132 | Us | Peter Gabriel | 1992 | 4.27 | 4.32 | 2.413 |
| 133 | Rush | Rush | 1974 | 4.27 | 4.32 | 2.244 |
| 134 | Sheik Yerbouti | Frank Zappa | 1979 | 4.27 | 4.30 | 3.797 |
| 135 | Clockwork Angels | Rush | 2012 | 4.27 | 4.34 | 1.570 |
| 136 | The Source | Ayreon | 2017 | 4.27 | 4.49 | 490 |
| 137 | Nursery Cryme | Genesis | 1971 | 4.27 | 4.30 | 3.675 |
| 138 | The Silent Enigma | Anathema | 1995 | 4.27 | 4.40 | 796 |
| 139 | Иероглиф | Пикник | 1986 | 4.27 | 4.60 | 300 |
| 140 | Anno Domini High Definition | Riverside | 2009 | 4.27 | 4.47 | 489 |
| 141 | Hoist | Phish | 1994 | 4.27 | 4.49 | 445 |
| 142 | Fingerprince | The Residents | 1977 | 4.26 | 4.44 | 569 |
| 143 | Vaxis – Act I: The Unheavenly Creatures | Coheed and Cambria | 2018 | 4.26 | 4.52 | 381 |
| 144 | The Road of Bones | IQ | 2014 | 4.26 | 4.61 | 278 |
| 145 | Erpland | Ozric Tentacles | 1990 | 4.26 | 4.43 | 573 |
| 146 | Islands | King Crimson | 1971 | 4.26 | 4.30 | 2.409 |
| 147 | Afraid of Sunlight | Marillion | 1995 | 4.26 | 4.37 | 844 |
| 148 | Vaxis – Act II: A Window of the Waking Mind | Coheed and Cambria | 2022 | 4.26 | 4.53 | 341 |
| 149 | Counterparts | Rush | 1993 | 4.26 | 4.32 | 1.473 |
| 150 | Is This the Life We Really Want? | Roger Waters | 2017 | 4.26 | 4.29 | 2.594 |
| 151 | Good Apollo I’m Burning Star IV, Volume Two: No World for Tomorrow | Coheed and Cambria | 2007 | 4.26 | 4.39 | 660 |
| 152 | The Lockdown Sessions | Roger Waters | 2022 | 4.25 | 4.41 | 572 |
| 153 | Something/Anything? | Todd Rundgren | 1972 | 4.25 | 4.31 | 1.522 |
| 154 | The Similitude of a Dream | The Neal Morse Band | 2016 | 4.25 | 4.59 | 253 |
| 155 | Strangeitude | Ozric Tentacles | 1991 | 4.25 | 4.41 | 531 |
| 156 | Tubular Bells II | Mike Oldfield | 1992 | 4.25 | 4.31 | 1.428 |
| 157 | Vaxis – Act III: The Father of Make Believe | Coheed and Cambria | 2025 | 4.25 | 4.67 | 200 |
| 158 | The Power to Believe | King Crimson | 2003 | 4.25 | 4.35 | 836 |
| 159 | Mark of the Mole | The Residents | 1981 | 4.25 | 4.45 | 413 |
| 160 | A Trick of the Tail | Genesis | 1976 | 4.25 | 4.27 | 4.001 |
| 161 | Grobschnitt | Grobschnitt | 1972 | 4.25 | 4.40 | 521 |
| 162 | Caravan | Caravan | 1969 | 4.25 | 4.34 | 850 |
| 163 | Rapid Eye Movement | Riverside | 2007 | 4.25 | 4.44 | 406 |
| 164 | The Masquerade Overture | Pendragon | 1996 | 4.25 | 4.49 | 320 |
| 165 | Tubular Bells 2003 | Mike Oldfield | 2003 | 4.25 | 4.47 | 347 |
| 166 | Genesis Revisited II | Steve Hackett | 2012 | 4.24 | 4.49 | 318 |
| 167 | Free Hand | Gentle Giant | 1975 | 4.24 | 4.31 | 1.185 |
| 168 | Dissolution | The Pineapple Thief | 2018 | 4.24 | 4.46 | 358 |
| 169 | THRAK | King Crimson | 1995 | 4.24 | 4.31 | 1.144 |
| 170 | Zoot Allures | Frank Zappa | 1976 | 4.24 | 4.28 | 2.025 |
| 171 | Camel | Camel | 1973 | 4.24 | 4.30 | 1.296 |
| 172 | Volume Two | Soft Machine | 1969 | 4.24 | 4.32 | 950 |
| 173 | The Future Bites | Steven Wilson | 2021 | 4.24 | 4.30 | 1.249 |
| 174 | I, Vigilante | Crippled Black Phoenix | 2010 | 4.24 | 4.49 | 282 |
| 175 | We’re Here Because We’re Here | Anathema | 2010 | 4.24 | 4.33 | 775 |
| 176 | I Robot | The Alan Parsons Project | 1977 | 4.24 | 4.25 | 5.926 |
| 177 | It Leads to This | The Pineapple Thief | 2024 | 4.24 | 4.53 | 240 |
| 178 | Heritage | Opeth | 2011 | 4.24 | 4.28 | 1.601 |
| 179 | Sigma Oasis | Phish | 2020 | 4.24 | 4.54 | 227 |
| 180 | A Feast of Consequences | Fish | 2013 | 4.24 | 4.53 | 234 |
| 181 | The Afterman: Descension | Coheed and Cambria | 2013 | 4.24 | 4.43 | 349 |
| 182 | Pungent Effulgent | Ozric Tentacles | 1989 | 4.23 | 4.37 | 479 |
| 183 | The Theory of Everything | Ayreon | 2013 | 4.23 | 4.40 | 392 |
| 184 | Journey to the Centre of the Eye | Nektar | 1971 | 4.23 | 4.33 | 670 |
| 185 | Eldorado: A Symphony by the Electric Light Orchestra | Electric Light Orchestra | 1974 | 4.23 | 4.26 | 2.387 |
| 186 | Joe’s Garage: Act I | Frank Zappa | 1979 | 4.23 | 4.26 | 2.288 |
| 187 | A Momentary Lapse of Reason | Pink Floyd | 1987 | 4.23 | 4.24 | 7.929 |
| 188 | Up | Peter Gabriel | 2002 | 4.23 | 4.27 | 1.641 |
| 189 | Frequency | IQ | 2009 | 4.23 | 4.48 | 254 |
| 190 | Seasons End | Marillion | 1989 | 4.23 | 4.28 | 1.291 |
| 191 | Great Escape | Crippled Black Phoenix | 2018 | 4.23 | 4.51 | 225 |
| 192 | Residue of the Residents | The Residents | 1983 | 4.23 | 4.46 | 273 |
| 193 | Songs From the Wood | Jethro Tull | 1977 | 4.23 | 4.25 | 3.116 |
| 194 | Eye in the Sky | The Alan Parsons Project | 1982 | 4.23 | 4.24 | 5.812 |
| 195 | Crash of the Crown | Styx | 2021 | 4.23 | 4.44 | 277 |
| 196 | Eternity | Anathema | 1996 | 4.23 | 4.30 | 799 |
| 197 | Dark Matter | IQ | 2004 | 4.23 | 4.41 | 313 |
| 198 | Peter Gabriel | Peter Gabriel | 1980 | 4.23 | 4.24 | 3.925 |
| 199 | The Window of Life | Pendragon | 1993 | 4.23 | 4.43 | 275 |
| 200 | Bundles | Soft Machine | 1975 | 4.23 | 4.32 | 594 |
| 201 | Ellengæst | Crippled Black Phoenix | 2020 | 4.23 | 4.52 | 190 |
| 202 | The Great Adventure | The Neal Morse Band | 2019 | 4.22 | 4.51 | 192 |
| 203 | Rockpommel's Land | Grobschnitt | 1977 | 4.22 | 4.31 | 638 |
| 204 | 10000 lépés | Omega | 1969 | 4.22 | 4.36 | 402 |
| 205 | Ever | IQ | 1993 | 4.22 | 4.45 | 238 |
| 206 | The Jethro Tull Christmas Album | Jethro Tull | 2003 | 4.22 | 4.35 | 420 |
| 207 | Resistance | IQ | 2019 | 4.22 | 4.48 | 207 |
| 208 | Waterfall Cities | Ozric Tentacles | 1999 | 4.22 | 4.45 | 234 |
| 209 | Innocence & Danger | The Neal Morse Band | 2021 | 4.22 | 4.58 | 148 |
| 210 | The Color Before the Sun | Coheed and Cambria | 2015 | 4.22 | 4.36 | 384 |
| 211 | Fly From Here: Return Trip | Yes | 2018 | 4.22 | 4.41 | 281 |
| 212 | Space for the Earth | Ozric Tentacles | 2020 | 4.22 | 4.56 | 153 |
| 213 | Out of the Blue | Electric Light Orchestra | 1977 | 4.22 | 4.23 | 5.755 |
| 214 | Not of This World | Pendragon | 2001 | 4.22 | 4.44 | 233 |
| 215 | Remember the Future | Nektar | 1973 | 4.22 | 4.26 | 1.236 |
| 216 | Curious Corn | Ozric Tentacles | 1997 | 4.22 | 4.39 | 293 |
| 217 | The Afterman: Ascension | Coheed and Cambria | 2012 | 4.22 | 4.37 | 330 |
| 218 | Banefyre | Crippled Black Phoenix | 2022 | 4.22 | 4.57 | 141 |
| 219 | Power Windows | Rush | 1985 | 4.22 | 4.24 | 2.338 |
| 220 | Snakes & Arrows | Rush | 2007 | 4.22 | 4.26 | 1.191 |
| 221 | Rajaz | Camel | 1999 | 4.22 | 4.39 | 284 |
| 222 | The Light | Spock’s Beard | 1995 | 4.22 | 4.37 | 313 |
| 223 | Distant Satellites | Anathema | 2014 | 4.22 | 4.29 | 649 |
| 224 | This Was | Jethro Tull | 1968 | 4.22 | 4.24 | 2.063 |
| 225 | Tales From the Lush Attic | IQ | 1983 | 4.22 | 4.38 | 289 |
| 226 | Родом ниоткуда | Пикник | 1989 | 4.22 | 4.47 | 183 |
| 227 | Christmas Eve and Other Stories | Trans‐Siberian Orchestra | 1996 | 4.22 | 4.34 | 374 |
| 228 | Distant Worlds: Music from Final Fantasy | 植松伸夫 | 2007 | 4.22 | 4.53 | 147 |
| 229 | Distant Worlds II: More Music From Final Fantasy | 植松伸夫 | 2010 | 4.22 | 4.63 | 111 |
| 230 | This Strange Engine | Marillion | 1997 | 4.22 | 4.30 | 540 |
| 231 | The Visitor | Arena | 1998 | 4.22 | 4.39 | 260 |
| 232 | Curious Ruminant | Jethro Tull | 2025 | 4.21 | 4.34 | 359 |
| 233 | Joy | Phish | 2009 | 4.21 | 4.39 | 256 |
| 234 | Fuego | Phish | 2014 | 4.21 | 4.36 | 308 |
| 235 | Grace Under Pressure | Rush | 1984 | 4.21 | 4.23 | 2.753 |
| 236 | Title in Limbo | The Residents | 1983 | 4.21 | 4.41 | 222 |
| 237 | Sleep Dirt | Frank Zappa | 1979 | 4.21 | 4.25 | 1.192 |
| 238 | The Family That Plays Together | Spirit | 1968 | 4.21 | 4.26 | 897 |
| 239 | Benefit | Jethro Tull | 1970 | 4.21 | 4.23 | 2.376 |
| 240 | Crime Slunk Scene | Buckethead | 2006 | 4.21 | 4.61 | 105 |
| 241 | For Girls Who Grow Plump in the Night | Caravan | 1973 | 4.21 | 4.25 | 1.100 |
| 242 | Bronze | Crippled Black Phoenix | 2016 | 4.21 | 4.40 | 221 |
| 243 | V | Spock’s Beard | 2000 | 4.21 | 4.35 | 300 |
| 244 | Beethoven’s Last Night | Trans‐Siberian Orchestra | 2000 | 4.21 | 4.40 | 219 |
| 245 | A Wizard, a True Star | Todd Rundgren | 1973 | 4.21 | 4.25 | 1.053 |
| 246 | The Absence of Presence | Kansas | 2020 | 4.21 | 4.35 | 291 |
| 247 | Arborescence | Ozric Tentacles | 1994 | 4.21 | 4.33 | 339 |
| 248 | Lumpy Gravy | Frank Zappa | 1967 | 4.21 | 4.39 | 225 |
| 249 | The Theory of Molecular Inheritance | Arena | 2022 | 4.21 | 4.62 | 98 |
| 250 | Evolve | Phish | 2024 | 4.21 | 4.51 | 133 |
| 251 | Time | Electric Light Orchestra | 1981 | 4.21 | 4.22 | 3.885 |
| 252 | The First Day | Robert Fripp | 1993 | 4.21 | 4.28 | 536 |
| 253 | The Grand Experiment | The Neal Morse Band | 2015 | 4.21 | 4.41 | 189 |
| 254 | Crime Scene | RPWL | 2023 | 4.21 | 4.60 | 97 |
| 255 | Харакири | Пикник | 1994 | 4.21 | 4.59 | 99 |
| 256 | Waiting for Miracles | The Flower Kings | 2019 | 4.21 | 4.41 | 187 |
| 257 | Fact and Fiction | Twelfth Night | 1982 | 4.21 | 4.50 | 127 |
| 258 | Heavy Horses | Jethro Tull | 1978 | 4.21 | 4.22 | 2.882 |
| 259 | Technicians of the Sacred | Ozric Tentacles | 2015 | 4.21 | 4.40 | 188 |
| 260 | Versions of the Truth | The Pineapple Thief | 2020 | 4.21 | 4.34 | 271 |
| 261 | Tales From Outer Space | RPWL | 2019 | 4.21 | 4.48 | 128 |
| 262 | The Dark Side of the Moon Redux | Roger Waters | 2023 | 4.21 | 4.24 | 1.030 |
| 263 | Дым | Пикник | 1982 | 4.21 | 4.74 | 65 |
| 264 | Minstrel in the Gallery | Jethro Tull | 1975 | 4.21 | 4.22 | 2.421 |
| 265 | Flower Power | The Flower Kings | 1999 | 4.21 | 4.39 | 188 |
| 266 | Waterloo Lily | Caravan | 1972 | 4.20 | 4.25 | 753 |
| 267 | Serenades | Anathema | 1993 | 4.20 | 4.26 | 616 |
| 268 | Nightingales & Bombers | Manfred Mann’s Earth Band | 1975 | 4.20 | 4.23 | 1.351 |
| 269 | Stardust We Are | The Flower Kings | 1997 | 4.20 | 4.35 | 229 |
| 270 | The Wake | IQ | 1985 | 4.20 | 4.31 | 314 |
| 271 | Spirit | Spirit | 1968 | 4.20 | 4.24 | 905 |
| 272 | The Zealot Gene | Jethro Tull | 2022 | 4.20 | 4.26 | 571 |
| 273 | Variations on a Dream | The Pineapple Thief | 2003 | 4.20 | 4.47 | 121 |
| 274 | Lotus Unfolding | Ozric Tentacles | 2023 | 4.20 | 4.53 | 98 |
| 275 | 13th Star | Fish | 2007 | 4.20 | 4.33 | 247 |
| 276 | The YumYum Tree | Ozric Tentacles | 2009 | 4.20 | 4.44 | 132 |
| 277 | Zonkey | Umphrey’s McGee | 2016 | 4.20 | 4.76 | 55 |
| 278 | Back in the World of Adventures | The Flower Kings | 1995 | 4.20 | 4.33 | 237 |
| 279 | The Snakey Wake | The Residents | 1988 | 4.20 | 4.48 | 109 |
| 280 | The Resurrectionists | Crippled Black Phoenix | 2009 | 4.20 | 4.48 | 109 |
| 281 | Trance Spirits | Robert Fripp | 2002 | 4.20 | 4.52 | 94 |
| 282 | Amarok | Mike Oldfield | 1990 | 4.20 | 4.24 | 773 |
| 283 | The Seventh House | IQ | 2000 | 4.20 | 4.35 | 201 |
| 284 | Brief Nocturnes and Dreamless Sleep | Spock’s Beard | 2013 | 4.20 | 4.35 | 201 |
| 285 | Become the Other | Ozric Tentacles | 1995 | 4.20 | 4.35 | 200 |
| 286 | The Mission | Styx | 2017 | 4.20 | 4.31 | 273 |
| 287 | Night Raider | Crippled Black Phoenix | 2009 | 4.20 | 4.48 | 106 |
| 288 | Colma | Buckethead | 1998 | 4.20 | 4.37 | 174 |
| 289 | (Mankind) The Crafty Ape | Crippled Black Phoenix | 2012 | 4.20 | 4.32 | 247 |
| 290 | Holidays in Eden | Marillion | 1991 | 4.20 | 4.23 | 993 |
| 291 | Ballermann | Grobschnitt | 1974 | 4.20 | 4.26 | 491 |
| 292 | A Tab in the Ocean | Nektar | 1972 | 4.20 | 4.23 | 991 |
| 293 | Freak Show | The Residents | 1990 | 4.20 | 4.29 | 315 |
| 294 | Put Your Hands Together | Spirit | 1979 | 4.20 | 4.79 | 48 |
| 295 | Королевство кривых | Пикник | 2005 | 4.20 | 4.57 | 74 |
| 296 | Sliding Gliding Worlds | Ozric Tentacles | 1988 | 4.20 | 4.39 | 143 |
| 297 | With Friends From the Orchestra | Marillion | 2019 | 4.20 | 4.60 | 68 |
| 298 | L.I.F.T. | The Neal Morse Band | 2026 | 4.20 | 4.61 | 66 |
| 299 | The Lost Christmas Eve | Trans‐Siberian Orchestra | 2004 | 4.20 | 4.33 | 201 |
| 300 | Éjszakai országút | Omega | 1970 | 4.20 | 4.35 | 174 |
| 301 | Танец волка | Пикник | 1984 | 4.20 | 4.65 | 55 |
| 302 | The World | Pendragon | 1991 | 4.20 | 4.29 | 261 |
| 303 | Testimony | Neal Morse | 2003 | 4.20 | 4.32 | 191 |
| 304 | The Hidden Step | Ozric Tentacles | 2000 | 4.20 | 4.31 | 206 |
| 305 | Procol Harum | Procol Harum | 1967 | 4.20 | 4.21 | 1.630 |
| 306 | Twelve Dreams of Dr. Sardonicus | Spirit | 1970 | 4.20 | 4.21 | 1.530 |
| 307 | By Royal Decree | The Flower Kings | 2022 | 4.20 | 4.37 | 131 |
| 308 | Someone Here Is Missing | The Pineapple Thief | 2010 | 4.19 | 4.33 | 169 |
| 309 | Circling From Above | Styx | 2025 | 4.19 | 4.39 | 117 |
| 310 | Chunga’s Revenge | Frank Zappa | 1970 | 4.19 | 4.21 | 1.505 |
| 311 | Time Robber | Omega | 1976 | 4.19 | 4.25 | 405 |
| 312 | RökFlöte | Jethro Tull | 2023 | 4.19 | 4.25 | 389 |
| 313 | Paper Wheels | Trey Anastasio | 2015 | 4.19 | 4.45 | 85 |
| 314 | You Are What You Is | Frank Zappa | 1981 | 4.19 | 4.21 | 1.318 |
| 315 | No Sadness or Farewell | Crippled Black Phoenix | 2012 | 4.19 | 4.38 | 113 |
| 316 | Tarkus | Emerson, Lake & Palmer | 1971 | 4.19 | 4.20 | 3.081 |
| 317 | Relayer | Yes | 1974 | 4.19 | 4.20 | 3.031 |
| 318 | The Optimist | Anathema | 2017 | 4.19 | 4.23 | 557 |
| 319 | Erpsongs | Ozric Tentacles | 1985 | 4.19 | 4.34 | 139 |
| 320 | 10 Stories Down | The Pineapple Thief | 2005 | 4.19 | 4.37 | 115 |
Sobre Progressive Rock
O rock progressivo foi a aposta mais ambiciosa da era do rock: e se a música popular pudesse ter a complexidade e a seriedade da música clássica? Bandas como Yes, Genesis, King Crimson, Emerson Lake & Palmer e Rush rejeitaram os limites do single de três minutos e construíram suítes de 20 minutos, óperas-rock, composições em compasso 7/8 com letras sobre mitologia e ficção científica.
King Crimson lançou In the Court of the Crimson King em 1969 e imediatamente estabeleceu os parâmetros do gênero: Mellotron orquestral, guitarra de Robert Fripp elaborada até a abstração, letras herméticas. Yes respondeu com Close to the Edge (1972), que muitos consideram o ponto mais alto do prog: 37 minutos divididos em três faixas de arquitetura sinfônica perfeita.
Genesis era o lado mais teatral: Peter Gabriel usava fantasias elaboradas no palco, e álbuns como The Lamb Lies Down on Broadway (1974) eram narrativas densas de duplo LP. Quando Gabriel saiu e Phil Collins assumiu os vocais, a banda sobreviveu. E eventualmente se tornou uma das maiores do pop dos anos 1980, numa transformação que alguns classificam como traição e outros como genialidade.
Rush foi o caso anômalo: uma banda canadense de power trio que fazia prog sem as afetações britânicas, com letras libertárias inspiradas em Ayn Rand e um virtuosismo técnico extraordinário. Seu público de colecionadores é talvez o mais dedicado de qualquer banda de rock. No vinil, o prog exige prensagens de alta qualidade: a dinâmica extrema e a densidade orquestral de álbuns como Tales from Topographic Oceans precisam de cada mícron dos sulcos.